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1935年初,上海部分新闻记者因不满阮玲玉主演的电影《新女性》中的不良记者形象而公开抗议,随后阮玲玉又因情感纠纷、人言可畏而自杀身亡。这一各界瞩目的社会事件成为审视新闻记者职业规范的“热点时刻”。本文围绕新闻记者的规范协商与职业认同问题,从阮玲玉主演的电影《新女性》导致新闻记者的抗议、阮玲玉去世后社会各界对新闻记者的质疑以及新闻记者群体内部的论争三个层面进行论述,试图展现20世纪30年代处于职业化初期的新闻记者如何通过职业规范的协商来尝试建立自身的职业认同。
In early 1935, some journalists in Shanghai publicly protested their dissatisfaction with the bad press image starred in Ruan Lingyu’s movie “The New Woman.” Later, Ruan Lingyu committed suicide by fearful emotional dislocation. The social events that have drawn attention from all walks of life have become “hot spots” for examining the professional norms of journalists. This article focuses on the normative and professional identification of journalists, discusses the protest from journalists after the movie “New Female” starring Ruan Lingyu, the questioning of journalists from all walks of life after Nguyen Para Ling died, and the contention among journalists. Trying to show how journalists in their early career in the 1930s tried to establish their own professional identity through professional norms.