根据日本历史,近代是社会阶层地位和人际关系变化最激烈的一个时代。日本在明治维新之后进入了近代。明治政府取消了士农工商的封建阶级制度,“四民平等”的思想在日本社会得到广泛传播。然而仔细研究即可发现,明治社会依然不是一个“明治”的社会,官僚与大资产阶级相互勾结,前朝贵族享有巨大权力,拜金主义横行。人们所属社会阶层地位的变化必然会对当时人们的语言产生重大影响,人称代名词当然也不例外。当然这种影响也会在明治时期的艺术作品中显现。因此,从当时的文艺作品中考察日本人称代名词的使用对研究日本近代社会状况具有重大的意义。 According to Japanese history, the modern era is the era in which the status of social strata and the changes in interpersonal relations are the most intense. Japan entered the modern era after the Meiji Restoration. The Meiji government canceled the feudal class system of the peasants and peasants and industry and commerce and the idea of ​​“equality between the four peoples” was widely spread in Japanese society. However, careful study shows that the Meiji society is still not a “Meiji” society. The bureaucrats and the big bourgeoisie collude with each other. The former aristocrats enjoyed great power and worshipers worshiped money. Changes in the status of the social class to which people belong will inevitably have a significant impact on the language of the people at that time, and certainly the notion of personal pronouns is no exception. Of course, this effect will also appear in the Meiji period art works. Therefore, examining the use of pronouns by Japanese people from the literary and artistic works at that time is of great significance for studying the social conditions in Japan in modern times.