倪有鱼在台湾的首次美术馆个展,挑选了过去三年间完成的不同系列的作品,部分创作的时间跨度也接近三年,试图为台北观众们梳理出艺术家创作较为完整的面向。以“时间”作为线索,营造出一个“水滴石穿”式的工作场景。台北当代美术馆的展览空间是日治时期的小学教室,建筑物本身有着强烈的语言特征,倪有鱼选择了一组在改装自桌上弹珠游戏盘的小型装置,借用了看似宗教祭坛画的圆拱形式来呼应拱门走廊 Ni has his first solo exhibition at Taiwan’s Fine Arts Museum. He has selected different series of works completed in the past three years. Some of his works have also lasted for nearly three years, trying to sort out the audiences in Taipei for their more complete orientation. To “time” as a clue, to create a “water droplets wear” type of work scene. Taipei Contemporary Art Gallery’s exhibition space is a period of Japanese primary school classrooms, the building itself has a strong linguistic characteristics, Ni Youyu chose a group of small devices modified from the table ball game tray, borrowed the seemingly religious altar Painted arched forms echo the archway