对于钟云舒而言,作品展示的空间是一个包含了创作过程的现场。这些本身性质和来源模糊的材料共同构成了一个看似“轻量化”的工业制造的场景。与材料“相处”的过程中,钟云舒玩味着外观与内在质量、功能的关系。因循材料本身的原始功能/特征去开发他们,在组合的过程中感受着现实条件下的矛盾制约与巧合。从熟悉了解并很快在物理性上对它进行“破坏”再重新认识,每一件材料的原始功能和条件都不构成限制,而是 For Zhong Yun Shu, the exhibition space is a scene that contains the creative process. These materials, of a nature and of vague origin, make up a seemingly “lightweight” industrial manufacturing scene. With the material “get along ” in the process, Zhong Yun-shu ponder the appearance and inherent quality, function relationship. Follow the original function / characteristics of the material itself to develop them, in the process of combining feel the constraints and coincidences under the conditions of reality. From familiarity and soon physical re-understanding of it, "the original function and condition of each piece of material does not constitute a restriction, but rather