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印章,是中国书画艺术的重要组成部分。在传统书画中,诗、书、画、印这四种元素既可各自独立,又能互补共存,融为一体,共同构成传统书画的核心内容。中国古代书画上的印章,主要包含有两个方面:一是作者在书画创作时,所加盖的个人印鉴,它是艺术创作的组成部分,构成传统书画的精彩亮点;二是后人观赏古代书画作品时,陆续加盖的鉴定、收藏印章。在历代传世书画作品上,作者个人的印鉴往往较少,通常只加盖有一两枚,而后世所加鉴藏印,一般都要多于作者印,特别是在那些传世佳作、名人名迹作品上,后人累加的鉴藏印往往更多,作品流传越久,其上的鉴藏印也就会越多。
Seal, is an important part of Chinese calligraphy and painting art. In traditional painting and calligraphy, the four elements of poetry, calligraphy, painting and printing can both independently and complementarily coexist and blend together to form the core content of traditional painting and calligraphy. The seal on the ancient Chinese calligraphy and painting mainly includes two aspects: one is the personal seal imprinted by the author in the creation of calligraphy and painting, which is an integral part of the artistic creation and constitutes the brilliant highlight of the traditional calligraphy and painting; the second is the later generations’ Painting works, one after another stamped identification, collection seal. In the past generations of calligraphy and painting works, the author’s personal seal is often less, usually only one or two stamped, and later plus Kam-stamping, generally more than the author India, especially in those masterpieces, famous works of celebrities Lessons accumulated by later generations tend to be more and more printed, the longer the work spread, the more the possession of the jianzang printed on it will be.