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在文学创作,尤其是诗歌创作中,作家主体性最集中、最神秘的体现莫过于灵感。在中国诗坛泰斗艾青半个多世纪的诗歌创作中,那些灿若星辰的诗篇,无不闪烁着令人眩目的灵感的光辉。 “灵感”这个悠如飘云的精灵,形诸于文字最早是在古希腊时代,早在公元前五世纪末,古希腊哲学家德谟克利特就曾说过:“没有一种心灵的火焰,没有一种疯狂式的灵感,就不能成为大诗人”。其后的柏拉图接受了德谟克利特的观点,并且向前大大地推进了一步。对“灵感”的另一种解释为“天才”说,即把灵感看成是超乎常人的天才所特有的秉赋。古希腊学者苏格拉底就曾说过:“诗人并不是凭智慧,而是凭一种天才和灵感。”
In literary creation, especially poetry writing, the author’s subjectivity is the most concentrated and the most mysterious manifestation is the inspiration. In the more than half a century of poetic creation by Ai Taiqing, the poet of China, those brilliant stars are all glittering with glittering inspiration. “Inspiration” as a floating Elves, shaped in the text was first in ancient Greece era, as early as the fifth century BC, the ancient Greek philosopher Democritus once said: “There is no spiritual flame, Without a crazy inspiration, you can not become a big poet. ” Plato later accepted Democritus’s point of view and took a big step forward. Another explanation for “inspiration” is “genius,” which says seeing inspiration as a unique endowment of an extraordinary human genius. Socrates, an ancient Greek scholar, once said: “The poet does not rely on wisdom, but on a genius and inspiration.”