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近年来,评论界对石舒清的关注大多集中在1990年代末(尤其是《清水里的刀子》之后)的小说创作上,对其早期作品则较少论及(即便论及,也是多集中在一些充满温馨亲情等篇目的解读上)。个中原因,除了石舒清九十年代末的作品主题与旨趣易于把握之外(已被研究者充分挖掘的主题如“死亡主题”“清洁精神”“民族自觉”“大地歌者”等等),恐怕还包含着研究者的惰性心理。事实上石舒清的早期作品,除了《童年纪事》《碎舅母的运气》《残片童年》
In recent years, critics have mostly focused on Shi Shuqing’s fiction writing in the late 1990s (especially after “the knife in Qingshui County”), with less emphasis on his early works (even if it is discussed and concentrated in some Filled with warm family and other articles on the purpose of interpretation). In addition to Shi Shuqing’s works in the late nineties themes and purports to easily grasp the outside (researchers have been fully tap the topics such as “theme of death” “clean spirit” “national consciousness ” “earth Singer ”, etc.), I am afraid it also contains the researcher’s inertia. In fact Shih Ching’s early works, in addition to the “Chronicle” “Uncle Mother’s Luck” “fragment childhood”