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1990年代纪实摄影在国内风头正兴,塞巴斯蒂奥·萨尔加多的作品曾被国内众多有志于纪实的年轻摄影人奉为标杆,他的经历也被津津乐道。直到最近,还有一些国内的展览机构正在联系引进萨尔加多的作品作为摄影活动的压轴大戏。20余年过去了,在世界范围内,摄影的格局发生了巨大的变化,纪实以及报道摄影的生存环境也不复往日,而在国际上,被许多人视为大师的他却日渐引起两极分化的争议,本刊特约评论
Documentary photography in the 1990’s is booming in China and Sebastiao Salgado’s work has been benchmarked by many young photographers who are interested in documentary work. His experience is also relished. Until recently, there were a number of domestic exhibition agencies that were contacting the introduction of Salgado’s work as a finale of photography. More than 20 years have passed. In the world, the pattern of photography has undergone tremendous changes. The documentary and the living environment for the coverage of photography have ceased to exist. In the international arena, where many people regard him as a master, he is increasingly arousing polarization Controversial, articles special comment