缂丝:织中之圣缂丝,以其特有的织造艺术魅力被誉为织中之圣。明代,宫廷“御用监”下设“缂丝作”来管理缂丝的生产。至成化年间,缂丝生产趋于繁盛,作品主要产于苏州、南京和北京等地,多摹缂当时名家的画稿。当时曾涌现出吴圻、朱良栋等缂丝名匠,他们以缂织沈周、唐寅等人的画稿见长,《瑶池献寿图》、《沈周蟠桃仙图》等佳作被宫廷收藏。到了清代,缂丝作品不论是在数量还是在工艺水平上,都达到了一个高峰, Reeling: Weaving in the holy reeling, with its unique weaving art charm known as weaving in the holy. Ming Dynasty, the court “Queen’s supervision ” under “reeling for ” to manage reeling production. To Chenghua years, reeling production tends to flourish, the works mainly produced in Suzhou, Nanjing and Beijing and other places, and more copy of the masters at the time of the draft. At that time, many famous artists such as Wu Mi and Zhu Liangdong emerged. They were known for their drawings of Shen Zhou and Tang Yin. Their works such as “Yao Chi Xian Shou Tu” and “Shen Zhou Ping Tao Tao Xian” were collected by the court. In the Qing Dynasty, Reed works reached a peak both in quantity and in craft level,