文徵明是明代江南画家的典型代表,对于其绘画师法渊源的讨论是当下学术界的焦点,然研究者往往由于关注图像而忽略了《文徵明集》中的大量信息,这以“我”为第一人称的史料显然是研究文氏最直接的材料。因此,本文从前人评论及文集资料两部分着手,试图从内外两个角度考察文徵明的师承渊源。 Wen Zhengming is a typical representative of Jiangnan painters in the Ming Dynasty. The discussion of the origins of his painting teacher law is the current academic focus. However, researchers often ignore the large amount of information in Wen Zheng Ming Ji because of their concern for the images, The historical data of “I” as the first person is apparently the most direct material for studying Wen’s. Therefore, this article starts from two parts of the previous commentary and collection materials, trying to examine the origin of Wen Zhengming’s teacher from both inside and outside.