“另一个”易卜生《培尔·金特》终于在舞台上和中国观众见面了。和我们最初接触这个剧本时的感受一样,观众可能会怀疑,这是易卜生的作品吗?这位崇尚写实并几乎接近自然主义的批判现实主义作家,会有这样蓬勃的活力和广阔的视野?会如此幻想翩翩,写出了这样广博的性格,这样宏伟的作品?的确,在研究剧本的初期,我和这个戏的另两位导演白拭本、许敏同志也一再想到过这样的问题。易卜生这个似乎十分熟悉的作家,往往被人们十分武断地或褒或贬的作家,在我们面前忽然变得陌生了。再听听当代外国评论家的观点吧, “Another” Ibsen “Peer Jute” finally met with the Chinese audience on stage. As with our initial experience with the play, viewers may wonder whether this is Ibsen’s work, a critically realistic writer who advocates realism and is almost naturalistic, with such dynamism and broad vision It is so fantastic, write such a broad character, such a magnificent work? Indeed, in the early stages of the script, I and the other two directors of the show White wipe, Comrade Xu Min also repeatedly thought of such a problem . Ibsen, a seemingly familiar writer, is often strangely acclaimed or derogatory writer before us. Listen to the views of contemporary foreign critics,