古韵之美源远流长,早在新石器时代的文物中,人们就已经发现有在面部涂绘花纹的陶塑人像了,如果说此时的绘面习俗更多的是反映一种远古图腾仪式,而非现代意义上美化仪容的化妆形式的话,那么在先秦时期,就已经有明确的使用脂、泽、粉、黛来化妆美容的记载了。在历史悠久的长河中,尤以汉唐妆容服饰的文化颇具代表性。汉代在中国化妆史上是一个重要的铺垫期,虽然那时的化妆基本上是处于一个以“粉白黛黑”为主流的素妆时代。但没有汉代所奠定的物质、观念与形式美的坚实基础,也就没有随后中国化妆史上魏晋盛唐的灿烂辉煌。 Ancient beauty has a long history, as early as in the Neolithic artifacts, people have found painted patterns on the face of the pottery portrait, and if the painting custom at this time is more a reflection of an ancient totem ceremony, rather than the modern In the sense of beautifying the appearance of grooming, then in the pre-Qin period, there was already a clear record of the use of fat, Ze, pink, and makeup. In the long history of the river, especially in the makeup of the Han and Tang costumes culture quite representative. The Han Dynasty is an important paving stage in the history of Chinese make-up, though the make-up at that time was basically in an era of make-up mainly dominated by “white and black”. However, without the solid foundation of the material, the concept and the formal beauty laid by the Han Dynasty, there is no brilliant future of the Wei-Jin and Tang Dynasties in the history of Chinese make-up.