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对家族命运的关怀是《红楼梦》的一个重要思想。这种思想在有关警劝的故事中有比较清楚的表现。秦可卿的原型应该来源于佛教故事中的锁骨菩萨,和文化史上男人邂逅的神女或神妓。秦可卿和警幻仙姑对宝玉的情色警劝有着使之归于礼义,并关注世道和家族命运的用意。她与贾珍的乱伦是马郎妇式的以淫止淫的情色警劝。秦钟对宝玉的诱导属于男色警幻。元春引导宝玉进入大观园的意淫警幻,是太虚幻境警劝的继续。这一过程也贯穿了引导、体验、醒悟的三部曲,在这一过程中宝玉对情有了深刻的解悟。情的探险者宝玉最终彻底醒悟了,但宝玉的情悟最终并没有由情色归于礼义和家族世道关怀,而是“由‘情色’归于‘空悟’”。
Caring about the fate of the family is an important idea of “Dream of the Red Chamber.” This kind of thinking is clearer in the stories about police persuasion. The prototype of Qin Keqing should come from the clavicle bodhisattva in the Buddhist story and the goddess or prostitute in the cultural history. Qin Keqing and Phantom Fairy on the gem of erotic police persuasion has made it attributed to Etiquette, and concerned about the destiny of the worldly and family intention. The incest between her and Jia Zhen is an Erotic warned woman of malang women’s prostitution. Qin Bell on the induction of gems belongs to male color police magic. Yuanchun Guanyu Guanyu into the Grand View Garden obscenity police magic, is too unrealistic police persuasion to continue. This process also runs through the trilogy of guiding, experiencing, and reawaking. In this process, Baoyu has a deep understanding of love. Passionate explorer Geum Yu finally completely awakened, but Baoyu’s sentiment finally did not come from righteousness and family moral concern, but “from” erotic “attributed to the” empty “”.