关于第1 2届全国美展引入实验艺术这件事,其实从美协设立“实验艺术委员会”以后,就已经是顺理成章的事。回想上世纪90年代,官方对当代艺术的态度,这个变化应该算是很大了,别说全国美展,就是具有国际格局的北京双年展,也同样只局限于架上艺术。我曾对全国美展有过这样的批评:“新时期以来艺术的发展是如此迅速,不同时段都有新的变化。然而,全国美展从第6届到第9届,依然 The fact that the introduction of experimental art into the 12th National Art Exhibition is already a matter of course after the establishment of the Art Experimental Committee in the United States. Recalling the attitude of the government toward contemporary art in the 1990s, this change should be considered as a great one. Not to mention the national art exhibition, that is, the Beijing Biennale with its international situation, is also limited to the art of shelving. I have criticized the National Art Exhibition for the past few years: ”The development of art has been so rapid since the new period, with new changes in different time periods. However, the National Art Exhibition from the 6th to the 9th,