台湾是南管最大传播地,也是南管文化圈的主要阵地之一。早在郑成功时代南管就随闽南人的脚步移居到台湾。三百多年来,台湾南管的传承经历了成长期、转型期、由盛而衰微时期,直至六七十年代,台湾在经济上逐步以开放姿态对外,而在政治上则加紧控制,西化风潮席卷全岛,直接导致了中华传统文化艺术急速式微,此时的知识分子们产生忧虑并开始反省。70年代是台湾文化寻根、回归乡土的年代,也是民间艺术重振的年代。 Taiwan is the largest conduit for the South Pillar and one of the main positions in the Nankang Cultural Circle. As early as Zheng Chenggong’s time, Minnan migrated to Taiwan with Taiwanese people. For more than three hundred years, the inheritance of Taiwan’s Nan’nan Pipe experienced a period of growth and transition. From the time of prosperity and decline to the 1960s and 1970s, Taiwan gradually opened its economy economically to the outside while politically stepped up control and westernization The wave swept across the island, which led directly to the rapid decline of traditional Chinese culture and arts. At this time, the intellectuals were anxious and began to reflect on it. The 1970s is the era of roots in Taiwan’s culture and return to the native land, but also the era of revitalization of folk art.