近些年来,中国经济飞速发展起来,我们从一个勉强过活的年代过渡到一个追求生活品质的时代,随之而来的是审美需求的提高,因此,设计成了人们生活中不可缺少的一个领域。随着对设计认识的不断深入,寻找设计的个性成为一个迫切的需要。于是,我们很自然地开始寻求自身的民族特色,这种需要有时甚至显得很焦虑。造成这种急切心情的内在原因就如杭间所说的那样:“对于一个有着悠久文化传统的民族来说,这种因经济和产品消费所挟带来的人文精神和生活价值的一体化,很可能会由于‘本土精神’的失落给人们带来一种深刻的痛苦。”但是在我国缺少一个现代设计的自然发展过程,我们只能常常借鉴西方设计师为中国设计的一些具有中国元素的作品。可是久而久之却发现,我们的设计中 In recent years, with the rapid economic development in China, we have transitioned from a barely live-to-life era to an era of the pursuit of quality of life, followed by an increase in aesthetic needs. Therefore, designing has become an indispensable area in people’s lives . With the continuous deepening of understanding of the design, looking for the design of the personality has become an urgent need. As a result, we naturally began to seek our own national identity, a need that sometimes seemed even more anxious. The underlying reason for this eagerness is as Hang said: “For a nation with a long cultural tradition, this integration of humanistic spirit and living value brought about by economic and product consumption , It is very likely that the loss of ’native spirit’ will bring a profound pain to the people. ”However, in our country, there is a lack of a natural development process of modern design. We can only often learn from the experiences of Western designers who design for China Elements of the work. However, as time passes but found that our design