“气”在传统美学中是生气动力的象征,“韵”则是从音乐术语逐渐发展到审美的文化范畴当中。它们在钢琴演奏中,虽是两个不同的概念,却又是合二为一的整体,“气”代表作品的内在生命,是音乐美的内在涵量。“韵”代表作品的外在意蕴,,是音乐美的外部表征。在钢琴演奏艺术当中,它们不仅发挥着各自的特性。同时又表里相承,合而一体,作品因“气”而活,因“韵”而美。对于我们钢琴演奏者来说,用中国传统音乐美学的观点来理解钢琴演奏中的气与韵,对我们更好把握钢琴作品的内涵有着深刻的意义。 “Qi ” is animated symbol in traditional aesthetics, “rhyme ” is gradually developed from the musical terms to the aesthetic category of culture. Although they are two different concepts in the piano performance, they are a combination of two. The inner life of “Qi” on behalf of the works is the intrinsic content of the beauty of music. “Rhyme ” represents the external meaning of the work, is the external representation of the beauty of music. In the piano art, they not only play their own characteristics. At the same time, they are both in-one and one-in-one, and their works live because of “qi” and because of “rhyme” and beauty. For us pianists, using Chinese traditional music aesthetics to understand the aura and rhyme in piano performance has a profound meaning for us to grasp the connotation of piano works better.