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尼采在《悲剧的诞生》中提出“酒神精神”与“日神精神”两种对立的艺术冲动。他认为,希腊悲剧是酒神精神和日神精神相结合的产物。音乐和形象是酒神艺术和日神艺术的核心概念。本文通过分析梦境与醉态、希腊悲剧的诞生过程以及艺术的作用,理清了尼采眼中音乐与形象的关系。音乐摹仿意志,象征着原始痛苦;音乐超越形象,形象是阐释音乐的媒介。悲剧从音乐精神中诞生,在形象世界中完成,是形象世界中的合唱歌队。形象和音乐共同承担起美化人生的重要作用。
Nietzsche proposed in his The Birth of a Tragedy the impulsive artistic opposition between two kinds of “Dionysian Spirit” and “Spirit of God”. He believes that the Greek tragedy is the product of the combination of the spirit of Dionysus and the deity. Music and image are the core concepts of Dionysus and Risho Arts. By analyzing the dreams and drunkenness, the birth process of Greek tragedy and the function of art, this paper tries to find out the relationship between music and image in Nietzsche’s eyes. Musical imitation of the will, symbolizes the original pain; music beyond the image, the image is the medium of interpretation of music. Tragedy from the musical spirit was born in the image of the world to complete the image of the world’s choir team. Image and music share the important role of beautifying life.