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“破墨”一词的出现和当时绘画的风格样式、环境、审美情趣等密不可分,它是针对绘画中墨线而出现的语汇。唐代的“破墨”主要指渲染。五代以后,水墨画逐渐成为绘画的主流形态,绘画品评标准和审美趣向等均发生转变,墨法的发展促使了“破墨”词义的转移;继而在后世的建构中其词义逐渐扩大,滋生了浓破淡、淡破浓、水破墨、干破湿、湿破干等用墨技法。本文通过对史料的爬梳,考释“破墨”一词的内涵,并借此厘清“破墨”概念的演变过程。
The emergence of the word “broken ink” is closely related to the style, environment and aesthetic taste of the painting at that time. It is a vocabulary that appears for ink lines in paintings. Tang Dynasty “broken ink ” mainly refers to rendering. After the Five Dynasties, ink painting gradually became the mainstream form of painting, the standards of painting evaluation and aesthetic interest changed. The development of MoF promoted the transfer of the meaning of “broken ink”. Then the meaning of meaning of “broken ink” gradually expanded and breed Concentrated light, light broken thick, water broken ink, dry broken wet, wet broken dry ink techniques. This paper examines the connotation of the word “broken ink” through the process of combing the historical materials and clarifies the evolution of the concept of “broken ink”.