本文通过梳理汉藏文文献中的相关仪轨,对甘肃瓜州榆林窟第3窟北壁金刚界曼荼罗上方的不空羂索五尊像组合进行辨识、研究,并结合尼泊尔、西藏的同题材造像来分析西夏不空羂索五尊组像的构成内容与特征。西夏时期的不空羂索五尊组像是迄今所见依据巴哩译师一系成就法绘制的最早图像遗存,体现了西夏画师对新题材的敏感认知,以及西夏佛教艺术的强大包容力。 By combing the related rituals in the Chinese-Tibetan literature, this paper identifies and studies the five groups of airspace above the diamond-studded Mandala in the north wall of the Yulin Grottoes at the 3rd Grottoes in Guazhou, Gansu Province. Combining with the same subject matter of Nepal and Tibet Statues to analyze the contents and characteristics of Xixia ’s five groups of images. In the Xixia period, the five groups are the earliest surviving images that we have seen so far drawn from a series of achievements by Barry’s interpreter. They reflect the sensitive perception of Western Xia painters on new topics and the strong tolerance of Xisha art.