我们审视中国传统绘画的文脉时,总是把“高山仰止”般的目光定格在唐宋元时期——唐时初创热烈,宋时理性成熟,元时拘谨冷逸,加进了不少“士气”。其实,宋时的文人画风气浸满进中国画的时候,已经在为这样一种消遣意味的行为注入进了文化养料,使其担当了中国文学外的另一文化风骨。南宋时北人入侵,中原文士多委屈之声,宋词中失却了唐时的豪迈与浪漫,走向嗫嗫嚅嚅忍气吞声,一股阴柔萎靡之风 When we look at the context of traditional Chinese painting, we always set our eyes on “the mountain and the mountain” in the Tang, Song and Yuan dynasties - when we got a warm start in the Tang Dynasty and in the Song Dynasty we were rational and mature, Quite a few “morale”. In fact, when the literati painting style in the Song Dynasty was soaked into the Chinese painting, it was already infused with culture and nourishment for such a pastime-like act that it served as another cultural style of Chinese literature. Northern Song Dynasty when the invasion of the North, the Central Plains scholar more grievances, lost in the Song Dynasty heroic and romantic Tang, towards 嗫 嗫 嚅 嚅 swallowing, a feast of femininity