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作为美国当代元小说的杰出代表,威廉·加斯以其在元小说理论与实践上的探索,在后现代派文坛独树一帜。作为中国先锋文学的代表作家,余华也和加斯一样,坚持小说自成一体。小说家需要写作技巧来表现小说中的虚构世界。他们都强调小说的虚构性、玩弄文字游戏、对历史或现实的情节进行戏仿。本文拟从这三个方面着手,对比分析他们各自的代表作品,即余华的《鲜血梅花》和加斯的《在中部地区的深处》,以探讨中美元小说的相似之处。
As an outstanding representative of the contemporary American novels, William Gasquet’s exploration of the theory and practice of meta novels is unique in the post-modernist literary world. As a representative writer of China’s avant-garde literature, Yu Hua, like Gars, insisted that the novel be self-contained. Novelists need writing skills to express the fictional world in the novel. They all emphasize the fictional character of the novel, playing word games and parodying historical or realistic plots. This article intends to proceed from these three aspects and compare and analyze their respective representative works, namely Yu Hua’s Blood Plum and Garth’s Depth in the Central Region to explore the similarities between Chinese and American novels.