一1997年,叶弥发表了中篇小说《成长如蜕》,那一年,她三十三岁。她一上手,就显示出与同辈作家不同的小说意识、精神取向和美学气度。她生于1960年代的中期,但是,她的写作形态和路数,既不与“60后”作家相近,也与“70后”作家风格迥异。即使从“性别”视角看,她小说叙事的体貌和格局,也呈现出卓尔不群的独特性:女性作家的细腻和轻柔,男性作家的宽广和力度,有机地、复合地 In 1997, Ye Mi published a novella “growth as a slough”, that year, she was 33 years old. When she started, she showed her novels consciousness, spirit orientation and aesthetics different from those of her peers. She was born in the mid-1960s. However, her writing styles and paths are neither similar to the post-1960s writers nor to the post-70s writers. Even from the perspective of “gender”, the appearance and pattern of her novels’ narratives are also distinguished by their uniqueness: delicate and gentle female writers, broad and intense male writers, organic and compound