作者写周围的客观景物,往往是用来衬托思想感情的.“朝辞白帝彩云间,千里江陵一日还.两岸猿声啼不住,轻舟已过万重山.”(李白:《早发白帝城》)诗中写的彩云、猿声、轻舟是乐景,用来陪衬诗人旅程中的乐情.“无比落木萧萧下,不尽长江滚滚来.万里悲秋常作客,百年多病独登台.”(杜甫:《登高》)诗中前一联写的秋景是哀景,用来陪衬后一联写的诗人在客地独登台时的哀情.清代吴乔在《围炉诗话》中说:“夫诗以情为主,景为宾.景物无自生,惟情所化.情哀则景哀,情乐则景乐.”这种情景一致的手法,称为陪衬,它是人们常用的一种艺术手法. The author writes about the surrounding objective scenery, often used to set off the thoughts and feelings. “Dynamics between Bai Di’s colorful clouds and thousands of miles of Jiangling are still on the first day. The two shores are squeaking and the light boat has passed the Wanzhong Mountain.” (Li Bai: “Early Hair” Baidicheng.) The colorful clouds, squeaks, and canoes written in the poems are music scenes used to espouse the poet’s journey of joy. “Unlike the falling wood, the Yangtze River is not rolling. The unique autumn landscape written by the previous group in the poem (Du Fu: “Ascend”) was a sad landscape. It was used to foil the poet’s grief when he was alone on the guest floor. The poem remarks: “The poems are mainly sentiments and Kings are the guests. The scenes are not self-born, but they are sentimental. The mourning is mourning, and the music is Jingle.” This kind of scene-consistent technique is called a foil, It is an art technique that people often use.