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大约在10年前,何士扬的这批都市彩墨人物画在北京中国美术馆展出的时候,就引起了圈内人士的关注。 他的画把19世纪末的法国“点彩派”的风格引入了国画创作领域,而且结合得不错,是一条改良中国画创作的新路。当然,也有人提出批评的意见,认为他的画虽然有特点,但是在观念深度上还有所欠缺。何士扬的画里有印象派的东西,一方面说明他有一个开放的视野,另一方面也说明他还有着很强的吸收消化外来文化的能力。 首先,何士扬小是为色彩而色彩
About 10 years ago, these urban colorful ink paintings of He Shiyang attracted the attention of the insiders when they were exhibited at the China National Art Museum in Beijing. His painting introduced the style of French “dot-colorist” into the field of traditional Chinese painting at the end of the 19th century and combined well. It is a new way to improve the creation of traditional Chinese painting. Of course, some people criticized the suggestion that although his paintings have characteristics, but there is still a lack of depth of ideas. He Shi-yang’s paintings contain Impressionist things. On the one hand, he shows that he has an open field of vision. On the other hand, he also shows that he has a strong ability to absorb and digest foreign cultures. First of all, Ho Si Young is color for color