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山不在高,有仙则灵;扇不在大,有品则名。扇艺术,集中国书韵之妙,享华夏画魂之美。这盖因——扇艺术与文人情趣相勾连,消暑纳凉,风情万种。扇中思绪,似言似语;哲言靓画,摇曳生姿。这些书画流韵,与扇子的手持功用刚好相合。晋代《古今注》记载,扇发端于殷代,以鸟羽制成,作仪卫之美。三国孔明之羽扇,非为自用,而是仪令之物。汉代之后,湖南竹扇、山东纨扇问世,才用之除热取凉。及宋时,折扇由朝鲜传入神州,张合自如,风行一时,苏东坡曾有“高丽白折扇,展之广尺余”的妙语。
Mountain is not high, there are immortal spirit; fan is not big, there is a product name. Fan art, set the charm of the Chinese book Yun, Huaxia enjoy the beauty of painting soul. This cover due to fan art and literati fungus phase, refreshing cool, customs thousands. Fans in thoughts, like words; philosophy words Liang Hua, swaying posture. The flow of these calligraphy and painting, and hand-held fan function coincide. Jin Dynasty “ancient and modern Note” records, fans originated in the Yin Dynasty, made by Toba, as the beauty of instrument. Confucius, the lofty fan of the Three Kingdoms, not for personal use, but the instrument thing. After the Han dynasty, bamboo fans in Hunan, Shandong flies fans come out, only use the heat to cool. And Song Dynasty, the folding fan from North Korea into China, Zhang together easily prevailed for a while, Su Dongpo had “Korean white folding fan, the exhibition of the extensive ” punchline.