电影观众是坐在相对的黑暗中观看银幕上的一块用画框框起来的引人注目的画面。那上面有运动,它强烈地吸引人眼的注意。同时,还有另外两个引人注目的因素。那上面有光的布局:变换的质量与明暗比。那里还有在画面的外观纵深中形状的变换安排。在电影院里,空间不再是日常生活中的既定因素,而是某种特殊的东两——运动、光和空间关系的设计。这种设计的空间就是一部影片的场面调度。这个术语来自法文,指舞台的配置 The moviegoer is sitting in the opposite darkness watching the screen with a box of eye-catching picture frames. That there is movement, it strongly attracted the attention of the eye. At the same time, there are two other compelling factors. That there is a light layout: the quality of the transformation and the ratio of light and shade. There is also a change of shape in the depth of the picture. In the cinema, space is no longer a given factor in everyday life, but rather a special kind of design of East-North movement, light and space. This design space is a movie scene scheduling. The term comes from French and refers to the configuration of the stage