亲爱的这部片子的套路跟《消失的爱人》是相同的,都是要表达对对立价值观的同情。本片运用了情况对调的手法,先描述失去孩子的家庭如何伤心,然后找到孩子,但人贩子的妻子反而变成了失去孩子的一方,再描述此人的情景如何凄惨。对立的人物通过“孩子”被不断地发展下去,形成了一道情况互换的桥梁,避免了剧情的跳跃和突兀,很顺滑地实现了置换和过渡。在这个结构转折中形成了三组冲突:赵薇与黄渤郝蕾的冲突、黄渤郝蕾与孩子的冲突、孩子与赵薇的冲突,这三组冲突能相互流动和转换,把 Dear film routine with the “lost lover” is the same, are to express sympathy for opposing values. The film uses a tactic of reconciliation, describing how a family who lost a child is sad and then finding a child, but the trafficker’s wife instead becomes a child who has lost her child and describes how miserable the person is. Opposing figures through the “child ” has been continuously developed, forming a bridge of exchange of circumstances, to avoid the jumping of the plot and unexpected, it is smooth to achieve the replacement and transition. Three sets of conflicts were formed during the turning point of this structure: the clashes between Zhao Wei and Huang Hao and Hao Lei, the conflicts between Huang Lei and Hao Lei and their children, and the conflicts between their children and Zhao Wei. These three groups of conflicts can flow and convert each other.