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前言苏联学者米涅尔文指出:“在人的概念中,如匀称的、成比例的形式,都是好东西所具备的。而不好的东西又都是不相称的,不成比例的。产品的形式会引起人们意识到或没意识到的情绪反应,正是这个反应里反映着对形式的直接感性评价。”我国的民族乐器,历史悠久、种类繁多。在长期实践中,乐器的造型、线条、涂饰等组成美的和谐,为了满足演奏功能的需要,乐器还应符合人体工程学的要求。本文拟就民族乐器中的拉弦、弹拨、打击、吹奏等乐器的匀称性、和谐性、成比例性,以及颜色、视觉感知等美学范畴,
Foreword The Soviet scholar Michael Niewen pointed out: “In the concept of man, as well-proportioned and proportionate forms, are all good things possessed, and the bad things are disproportionate and disproportionate. ’S form will lead to emotional reactions that people realize or do not realize. It is exactly this reaction that reflects the direct sensual evaluation of forms. ”Our national musical instruments have a long history and a great variety. In the long-term practice, the composition, lines, and finishes of a musical instrument form a beautiful harmony. In order to meet the needs of a performance function, the musical instrument should also meet ergonomic requirements. This article intends to draw on the symmetry, harmony, proportionality, and color, visual perception and other aesthetic categories of musical instruments such as pull strings, plucked strings, blows,