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读了《陕西戏剧》一九八二年第三期刊载的《对戏曲表演艺术中“发法”的我见》一文,觉得鲁洪斌同志第三题《为“发法”正名》的论述不够准确,特与之商辩。据我个人学习、考证,“法法”是讹传,“发法”也是讹传。一九六一年中华书局出版的《辞海》不仅对“法”字解释欠妥,而且说:“手、眼、身、法、步:戏曲表演艺术的五种技术方法,习称‘五法’”的解释也不准确。我以为当说:口、手、眼、身、步:戏曲艺术的五种演唱方法,称“五法”,更为准确。因为“五法’是戏曲表演方法和歌唱念白方法,笼统地说它是“技术方法”,就不明确了。我认为“五法”是戏曲表演方法,“四功”是训练方法,是基本功夫。舞台表演艺术尽管千变万化,基本上可分为两项:一项是语言(歌唱是变
After reading the article entitled “My Opinion on the Fa Fa Fa Fa in the Performing Arts of Traditional Chinese Opera” of Shaanxi Drama, which was published in the third issue of 1982, I think Comrade Lu Hongbin’s third question is “ Not accurate enough, especially with the defense. According to my personal study, research, ”law“ is misrepresented, ”hair law“ is also rumor. The ”Cihai“ published by Chung Hua Book Company in 1961 not only failed to explain ”Fa“, but also said: ”The five techniques of performing arts in opera, eye, body, ’“Is not accurate explanation. I thought it should be said: mouth, hands, eyes, body, step: five singing methods of opera art, called ”five laws,“ more accurate. It is unclear why the ”Five Laws“ are the methods of performance of the traditional Chinese opera and the method of singing and singing, and generally speaking, they are ”technical methods.“ I think the ”Five Laws“ are the methods of performing drama, the ”Four Power" are training methods, and the basic Kung Fu. Despite the ever-changing variety of theatrical performance, there are basically two divisions: one is the language