末是中国古代戏曲中有着久远历史的脚色之一,与副净色相互逗乐增强喜剧效果是其表演的重要传统。但在传奇戏曲这种相对大型叙事文体中,末色不仅继承了这一传统,而且在剧本中成为具有扮演人物更加稳定、表演更加程式化等特征的脚色,并由此具有更丰富的功能。在分析明代中期至清初传奇代表作品的基础上,提出末色具有叙事功能和脚色功能,并把它放在文本之中进行了解读。 At the end is one of the ancient history of ancient Chinese drama has a long history of one of the roles, and vice net color mutual amusement to enhance the comedy effect is an important tradition of its performance. However, in this relatively large-scale narrative style, such as the legendary opera, the last color not only inherited this tradition, but also became a script in the role of playing a more stable character and more stylized performance, and thus has a richer function. Based on the analysis of the legendary works from the middle of Ming Dynasty to the beginning of the Qing dynasty, this thesis proposes that the final color has the narrative function and the role of color, and interprets it in the text.