内容摘要:李渔戏曲理论的创新性之一就是不乏哲学思辨。这一特点突出地表现在李渔对演员舞台搬演形态闺中与场上之关系的论述上。李渔戏曲理论的艺术哲学性质特色鲜明,创新性强,不仅使戏曲理论体系臻于完备,而且使戏曲理论与其它艺术理论融会贯通,交相辉映,相得益彰,无愧为中国古代戏曲理论的杰出代表。 Abstract: One of the innovations of Li Yu’s opera theory is the lack of philosophical thinking. This feature is prominently expressed in Li Yu on the actor stage to play the form of boudoir and the relationship between the field of discussion. The distinctive features and creativeness of Li Yu’s opera theory not only bring the theoretical system of opera into a perfect one, but also make the opera theory and other art theories get along well with each other and complement each other’s well. It is worthy of the outstanding representative of Chinese ancient opera theory.