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梅尧臣以唐代诗人的创作理论为基点,将研究视野扩展到诗歌的接受理论领域,在其诗论和诗歌创作实践中关注读者意识,具体表现在三个方面:意境说召唤读者;创新意识吸引读者;情真象实感染读者。
Based on the theory of Tang Dynasty poets ’creation, Mei Yaochen extended his research field to the field of poetry reception theory. He paid close attention to readers’ consciousness in his poetics and poetry writing practice, which embodied in three aspects: Consciousness to attract readers;