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线条作为绘画基本语言要素之一,是中国绘画的主要造型手段和表现形式,在中国的绘画史上占据着重要地位,中国画是线的艺术,中国的造型能力就是指用线落实意向的能力,艺术家对于线条的理解已经远远超出了单纯模拟自然物象的“外形”局限,而是把线条当做独立的主体因素来研究,并把其当做自我感情的载体,在其中赋予了丰富的内涵。这些对于线条的深刻理解,使我们更好地把握艺术语言在特定条件下的情感特质,开创具有独特形式美感的线性语言,从而推动艺术向更深层次发展。
Line, as one of the basic language elements of painting, is the main modeling method and manifestation of Chinese painting. It occupies an important position in the history of Chinese painting. Chinese painting is the art of line. China’s modeling ability refers to the ability to implement intentions with lines. The understanding of lines has gone far beyond the limitation of “appearance ” of purely simulating natural objects. Instead, the study of lines as an independent principal factor has been used as a carrier of self-affection in which rich connotations are conferred. These profound understanding of the lines enables us to better grasp the emotional qualities of artistic language under certain conditions and create a linear language with a unique aesthetic form so as to promote the development of the arts to a deeper level.