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进入21世纪后中国大陆出现了一定规模的商业性小剧场话剧,它们打着小剧场戏剧的旗号吸引了大批的城市青年观众尤其是白领阶层。诸如此类的小剧场戏剧都有比较成功的商业操作,但是从探索一种新的小剧场美学或者说解救戏剧危机的角度而言它们无所作为。本文将立足于21世纪初小剧场戏剧阵营里不再具有实验性的主导性商业化小剧场戏剧来说明中国大陆的小剧场戏剧作为一种大规模的现象已经终结。
Entering the 21st century, a series of commercial small theater plays in mainland China have emerged. They attract a large number of young urban audiences, especially white-collar workers, under the banner of small theater and drama. Small theater plays such as these have more successful commercial practices, but they do nothing to explore a new kind of theater aesthetics or to rescue a drama crisis. This article will be based on the small theater theater in the early 21st century ceaselessly experimental experimental commercial theater drama to illustrate the small theater drama in mainland China as a large-scale phenomenon has ended.