在中国,讨论马克思主义美学的理论建构问题,首先面临的必是一个巨大而明确的意识形态语境问题。70多年来,中国马克思主义美学从对一种外来思想的传播,到与中国革命的时代要求密切关联的理论雏形初现,再到社会和文化巨变时期由思想解放带来巨大的理论反思热情,整个过程始终处在一种相当自觉的意识形态语境之中。对于中国的马克思主义美学研究者们来说,“马克思主义美学”首先意味着一种意识形态压力,一种现实的制度性存在;马克思主义美学的理论建构常常不是作为一种理论任务,而是作为一种意识形态话语的自我陈述而出现。因此, In China, to discuss the theoretical construction of Marxist aesthetics, the first must face a huge and clear context of the ideological context. Over the past 70 years or so, the beginning of the theory that Chinese Marxist aesthetics has been closely associated with the spread of a foreign thought to the requirements of the era of the Chinese revolution, and then to the emancipation of the mind brought about by the emancipation of the mind brought great theoretical rewards and enthusiasm, The whole process is always in a rather conscious ideological context. For Marxist aesthetics researchers in China, “Marxist aesthetics” first implies an ideological pressure and a realistic institutional existence; the theoretical construction of Marxist aesthetics is often not regarded as a theoretical task, But emerges as a self-statement of ideological discourse. therefore,