信天游词文本或隐或显多使用第二人称,歌者对听者做了预设,文本内部存在一种潜在的复数主体间开放对话的场域。小调词文本多使用第三人称,歌者对听者不做任何预设,凭借其话语权力展开独白。不同指称背后隐喻着“我与你”和“我与它”的关系,即自在相遇和经验利用的关系。 The text of Xintianyuan uses hidden or explicit second person more, the singer presupposes the listener, and there exists a potential field of open conversations among the plural subjects within the text. The use of minor third-person text in more words, the singer does not make any preconceptions to the listener, by virtue of his discourse monologue. The metaphor behind the different allegations is the relationship between “I and you ” and “I and it ”, that is, the relationship between free encounter and experiential use.