最近,从安徽省博物馆找到了一批黄宾虹写给我父亲鲍君白的书信,这批信件大多是40年代中叶,宾虹老人居北平时写的,其时,宾翁已80开外。这些信每封都谈论了中国山水画的有关问题。从这批珍贵的信件中可以窥探得黄宾虹晚年的画学思想。 当前,对于中国的山水画与西方的风景画如何互为影响,正逐步引起美术界的兴趣,而对近百年来山水画大师黄宾虹画风的变化缘由也一直有不同的 Recently, a batch of letters written by Huang Binhong to my father Bao Junbai was found from the Anhui Provincial Museum. Most of these letters were written in the mid-1940s and Binh Hung was housed in Peiping at the time. Each of these letters discusses the related issues of Chinese landscape painting. From these precious letters, we can get a glimpse of Huang Binghong’s painting theory in his later years. At present, the mutual influence between Chinese landscape painting and Western landscape painting is gradually arousing the interest of the fine arts circles. However, the reasons for the change of Huang Binhong’s brush painting style in the past century have also been different