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在英国小说中,有几部描写航海故事的,本是为成人创作的,但也为儿童读者所喜爱。小读者可能只了解它的表层内容,它的曲折动人的冒险故事;成人则会理解它潜藏在表层下面的深层含义。托马斯·莫尔的《乌托邦》(1516)对于“羊吃人”的社会提出严正的抗议,认为社会罪恶原因是在于私有制,废除了私有制才能实现社会的正义。丹尼尔·笛福的《鲁宾逊漂流记》(1719)描写主人公不怕艰难,用自己的双手创造出一个新天地,不失为是资产阶级心目中的英雄人物。约拿旦·斯威夫特的《格列佛游记》(1726)写了主人公来到大人国、小人国的情景,特别是在最后一次所到的慧骃国里,马是
In British novels, there are several portrayals of sailing stories originally intended for adults, but also for children’s readers. A young reader may know only its superficial content, its tortuous and moving adventures, and adults will understand its underlying meaning underlying the surface. Thomas Moore’s Utopia (1516) solemnly protests against the society of “eating sheep by sheep”, believing that social evil is due to private ownership and that the abolition of private ownership can achieve social justice. Daniel Defoe’s Robinson Crusoe (1719) described the hero not afraid of difficulties, with his own hands to create a new world, after all, a bourgeois hero. Jonathan Swift’s Gulliver’s Travels (1726) wrote about the protagonist’s arrival in the world of adults and lesser beings, especially in the country of the last visit