台湾新世代艺术家们在面对这样一个不确定的年代,似乎本能地变得非常地自觉,自觉到个体和他者、历史和社会等诸关系的角力。这种创作主体的高度自觉已从“艺术是什么”的本质论思维转变到“艺术可以是什么”的认识论思维。 In the face of such an uncertain era, the artists of Taiwan’s new generation seem instinctively to become very conscious and consciously wrestle with the relationships between the individual and the other, history and society. The high degree of self-consciousness of this creative subject has shifted from the essential thinking of “what is art” to the epistemological thinking of “what can art be?”