在这篇短文的开头,我要先说一个丑角和农夫的故事: 丑角在舞台上模仿小猪娃叫,由于他叫得好,观众们对他报之以热烈的掌声。剧场中有个毫无艺术素养的农夫见了,很不以为然。农夫打赌说,他也能叫得和丑角同样好,甚至比丑角还要好。后来,人们同意他献技。他把一头真小猪娃藏在斗蓬里,带到了舞台上,他悄悄地揪了一下小猪娃的耳朵,小猪便叫了起来。剧场中也报之以热烈的掌声,——但这是观众给他喝的倒彩。显然,这个故事有点艺术夸张。但它却告诉了我们一个很好的道理,这就是法国著名的戏剧大师宾努阿·康思顿·科格兰(1841—1909)所说的:“小猪叫得一定很好,但那不是艺术。”“自 At the beginning of this essay I would like to start with the story of a harlequin and a farmer: the clown mimics a piglet on the stage and his audience applauds enthusiastically because he is well-known. There is no artistic accomplishment in the theater met the farmer, very disagree. Farmer bet that he can be called as good as the harlequin, or even better than the harlequin. Later, people agreed to his offerings. He put a real piggy doll hidden in the cloak, brought to the stage, he quietly pulled the piglet ears, the pigs cried. There was also a warm applause in the theater - but it was the flip-flops the audience had given him. Obviously, this story is a little art exaggeration. But it tells us a very good truth, this is what the famous French playwright Binnuatong Sike Kagen (1841-1909) said: “Piggy called must be very good, but that It’s not art. ”