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文章主要是从1949-1990年我国舞剧音乐的创作透视中国当代音乐发展的历史。我国舞剧音乐的创作主要分为四个历史阶段,从成长到受挫,再到发展,舞剧音乐的创作经历了历史的洗礼。因此,从历史发展的大背景中进行不同角度解析中国现当代舞剧是有必要的。舞剧艺术在新中国的发展在借鉴西方舞剧的同时,是沿着自身民族文化的需要而进行舞剧“改革”的,是在借鉴与自觉基础上的有益选择,其原则是在民族文化底蕴下的借鉴西方与实现自我的文化重建。
The article mainly analyzes the history of the development of Chinese contemporary music from the creation of Chinese ballet music from 1949-1990. The creation of Chinese ballet music is mainly divided into four historical stages. From growth to frustration to development, the creation of ballet music has undergone a historical baptism. Therefore, it is necessary to analyze Chinese modern and contemporary ballet from different angles in the background of historical development. The development of the art of ballet in New China draws lessons from the Western ballet at the same time as it is based on the needs of its own national culture. It is a useful choice on the basis of reference and self-awareness. Its principle is based on the national cultural heritage Under the reference of the West and self-cultural reconstruction.