西京的画气象好。文章这么一起头就有两个月接不下去。因为谈中国画不接着讲笔墨就不通,而我这个人又讨厌(是怕了)谈笔墨。如果有人说我的画无笔墨我不生气,诬我的画有笔墨我也不委屈,谁教我是中国人,摆不脱这耳濡目染?所以凡说笔墨是传统的我听了没意见,进而又说传统动不得,或者只可搬、可套或美其名曰“发展”,我就不信了。不信,是指如果画家果真有病,笔墨技巧能救他命? 最近电视上介绍一个不排名次的油画大展。展后专家们意见希望画家 Xijing’s good weather. The article is so regrettable that for two months it will not last. Because talk about Chinese painting does not continue to talk about the pen and ink, and I hate (afraid) talk about ink. If some people say that I have no pen and ink painting I am not angry, I framed my paintings are not wronged, who taught me to be Chinese, get rid of this monasteries? So that where the pen and ink are traditional I heard no opinion, and thus Added to the traditional move, or only move, can be set or the United States called “development”, I do not believe it. Do not believe, means that if the painter really sick, pen and ink skills can save his life? Recently introduced a not-to-be-on-demand oil painting exhibition. Post-show experts hope painters