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西方油画经历了从“固有色”到“条件色”再到“心理色”的转变,这是对色彩从“认识”到“感受”到“表现”的三个阶段。至此,色彩已经离开了描绘自然物体表面色彩的那种意义,而由艺术家的“内在需要”赋予了色彩丰富的精神内容,发现了色彩自身的生命存在,推动了色彩艺术的全面独立。本文从油画发展的历程来探讨色彩语言系统本身及其在油画创作中表现性的应用。
Western oil painting has undergone a shift from “intrinsic color ” to “conditional color ” to “psychological color ”, which is a reflection of the color from “cognition ” to “feeling ” to “The three stages. So far, the color has left its meaning of depicting the color of the surface of natural objects, while the ”inner needs" of the artist endowed with rich spiritual content, discovered the existence of the color itself and promoted the full independence of the color art. This article explores the application of color language system itself and its expressiveness in oil painting from the development of oil painting.