曾经有一个富翁,他拥有庞大的畜群,有许多大大小小的牛;曾经有一个贫穷的少女,她拥有的仅仅是她的爱。投影落在朦胧的纱幕上,恍若带着年代感的呼吸,丝丝沁入人心。画面的每一次移动都仿佛在一个名叫考狄利娅的少女的呼唤中无法抑制地穿梭。时空在此刻开启奇妙的回溯之旅。《诱惑者日记》(又名《非此即彼》)是为纪念“存在主义之父”丹麦哲学家索伦·克尔凯郭尔两百周年诞辰,由丹麦欧登塞剧院、无边界剧团和上海话剧艺术中心联合制作的。上世纪30年代的上海是冒 There used to be a rich man who had a huge herd and many large and small cattle; there used to be a poor girl who had only her love. Projection falls on the dim screen, reminding us of scenes with a sense of age breathing, fathom Qin people. Every movement of the picture seemed to shut uncontrollably in the call of a girl named Cordelia. Time and space at this moment to open a wonderful journey back. The “Diary of the Tempting” (aka “The Fair or the Other”) commemorates the “Father of Existentialism,” the bicentennial of the Danish philosopher Solon Kierkegaard, hosted by the Odense Theater in Denmark, Border theater and the Shanghai Theater Arts Center co-produced. Shanghai in the 1930s was a fake