的确,贝多芬的奏鸣曲很少用来描摩外部的大千世界,他的大部分作品都是借助于某一个话题或某一些形象来泄溢自己内心的情绪,映现自己的思考。被称为“月光”的那首就是一例:它所表现的绝非后人杜撰的标题所提示的月色溶溶的画意。然而,作者把它献给音乐家华尔斯坦——一位在德国时的友人的这首被称为“黎明”的《大奏鸣曲》,却是一阙道地的对大自然的崇拜和礼赞。 Indeed, Beethoven’s sonata is rarely used to describe the external world, most of his works are to use a certain topic or some image to spill their emotions, reflect their own thinking. An example is the song called “Moonlight,” which shows no sign of moonlitness as suggested by the title of the posterity. However, the author dedicated it to the virtuoso Wal Stein, the “Sonata” of Dawn, a friend of Germany, but a cursory admiration and praise of nature .