一件树桩盆景作品质量好坏、层次高低不在它是否有配件,关键是作者能否在创作实践中针对赋于作品的思想内容从内涵向纵深挖掘开发,适配则配,配则配之有理,不配则有不配的根据。因而,一个优秀作者不应该在配与不配件的束缚中去创作。许多桩景佳作,如张瑞堂先生的《丰收在望》等很能说明这一问题。作品盆中有景,景外有情,极富感染力。还是这件作品。假如给老翁一张调令的话,虽仍不失为一盆 A bonsai tree bonsai quality is good or bad, the level is not in its existence or not, the key is whether the author in the creative practice for the content given to the works of thought from the connotation to the depth of mining, matching, distribution is reasonable , Unworthy of the unworthy basis. Therefore, a good writer should not be created in the shackles of matching and not fitting. Many pile masterpieces, such as Mr. Zhang Ruitang’s “good harvest” is very illustrative of this issue. Works pots have King, King love, very contagious. Or this piece. If you give a man an order, though still a basin