“西方流行音乐史”作为一门国内音乐学院尚未深入研讨的专业理论课题,至今仍缺乏明晰的研究方向与理论脉络,现有的某些相关课题的教材,大多仅是杂碎史料的堆砌,难以概括西方百年流行音乐历史的全貌,更缺乏理论深度,不利于课题的深入研究与拓展。鉴于这种情况,本文从解构课题入手,试图从学术层面去诠释西方流行音乐史的各个方面,以求梳理出一个总体的理论框架,对西方流行音乐历史各层面进行深入思考。 As a professional theoretical topic that the domestic music academy has not yet discussed in depth, there still lacks a clear research direction and theoretical thread. Some of the existing teaching materials for related topics are mostly only the accumulation of raw materials , It is difficult to summarize the whole history of Western pop music history, lack of theoretical depth, is not conducive to in-depth study and expansion of the subject. In view of this situation, this dissertation begins with the task of deconstruction and attempts to interpret all aspects of the history of western pop music from the academic level, in order to sort out an overall theoretical framework and conduct in-depth reflection on all aspects of the history of pop music in the world.