诵经、说法与伎乐供养建构了佛教音声三大体系,囿于僧尼音乐戒律,早期伎乐供养实为俗人供佛的音乐行为,与僧尼诵经、说法“非乐行为”有着本质不同。唐宋之后,僧人破戒奏乐,伎乐供养实现僧人化转型,当下寺院的“笙管乐”实为俗人伎乐供养的接衍、简化。音乐仅仅对应于佛教音声中的伎乐供养部分,如果用佛教音乐指代佛教音声不仅有以偏概全之嫌,在某个时段亦与佛教戒律相悖。 Sutras, sayings and bhajra provide support for the construction of the three systems of Buddhist music. After the precepts of monks and nuns, precepts of music and music were provided for the secular worship of Buddhists, different. After the Tang and Song dynasties, the monks broke the precepts and performed the transformation of monks and nuns, and the “Sheng pipe” of the present monastery was practiced by the lay people. The music only corresponds to the supporting parts of the music in Buddhist music. If Buddhist music is used to refer to the sound of Buddhism, it is not only partial to generality, but also contrary to Buddhist precepts at some time.