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《扬州画舫录》是一部著名的地方性史料笔记。过去,人们对它所记载的有关扬州地方的风土人情、园林风貌、文人轶事等,做过不少研究,但是从科学技术的角度来研讨它,笔者可能宥于见闻,尚未见到过,故此不揣谫陋,力图填此空白,质诸高明。一、版本及其作者《扬州画舫录》自问世以来,先后有如下一些主要的版本,即乾隆乙卯年(1795)自然盦初刻本、同治十一年(1872)方濬颐重印本、嘉庆年间的重印本、1960年中华书局《清代史料笔记丛刊》排印本、以及1984年江苏广陵古籍刻印社新出直排本,这些版本,除了序跋题词篇幅不等、文字也略有出入外,就总的方面来说,并没有原则性的差异。
“Yangzhou Paintings” is a famous local historical record. In the past, people have done a lot of research on the customs, landscape styles, and literary affairs of Yangzhou where it is recorded. However, from the perspective of science and technology, the author may be obsessed with the situation and have not yet seen it. This is why we are trying to fill in this blank, and we are highly qualified. First, the version and its author, “Yangzhou Paintings and Records”, have been published in the following major versions since the publication of the first edition of the Qianlong Year of the Begonia (1795), the first edition of the natural history, the reprint of the Fangzhi Year of the Tongzhi (1872), and the Jiaqing period. The reprinted edition of the 1960 Zhonghua Book Company’s “Typical Historical Materials Series” and the 1984 Jiangsu Guangling Ancient Book Marking Society’s new outcrop. These editions, in addition to the preface and post inscriptions, and the texts are slightly different, the total On the other hand, there is no principle difference.